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Home Sản Phẩm ALLEN & HEATH Qu-16
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Q12
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Qu-16

Allen & Heath Qu-16 combines 16 onboard preamps with a 16-channel mono mix engine, channel processing and four stereo FX engines.

BROCHURE DATA SHEET

Features & Applications

Features

  • 16 onboard mic/line inputs; 16-channel mono mix engine
  • Recallable AnalogiQ preamps and full channel processing
  • 4 stereo FX engines; automatic mic mixing
  • Touchscreen control; motorized faders
  • dSNAKE expansion and ME personal monitoring
  • USB-B multitrack audio; 18-track Qu-Drive recording

Applications

  • Live sound
  • Houses of worship
  • Corporate AV
  • Installed sound

Detailed Description Qu-16

Qu-16 is a Allen & Heath Qu Classic digital mixer with 16 onboard microphone/line inputs and 16 mono processing channels. Its 48 kHz architecture combines recallable AnalogiQ preamps, channel processing and four stereo FX engines. The format provides motorized faders and a colour touchscreen.

Input processing includes high-pass filtering, a gate, parametric EQ, compression and delay. Mix outputs add graphic EQ for system and monitor shaping. Scene memories, recall filters, DCA groups and automatic mic mixing support repeatable operation.

The USB-B interface handles computer multitrack recording and playback, while Qu-Drive captures eighteen tracks directly to compatible USB storage. dSNAKE connects remote I/O and Allen & Heath ME personal monitoring. Remote apps provide an additional control option alongside the onboard interface.

Manufacturer documents: Technical Datasheet · Qu Classic Brochure

Technical Specifications Qu-16

Architecture and control

TYPE 48 kHz digital mixer
MONO PROCESSING CHANNELS 16
LOCAL MIC/LINE INPUTS 16
STEREO LINE INPUTS 3
MIXES 4 mono, 3 stereo, Main LR
STEREO GROUPS 0
STEREO MATRICES 0
LOCAL XLR MIX OUTPUTS 12
RACKFX 4 stereo engines with dedicated stereo returns
DCA / MUTE GROUPS 4 / 4
SCENE MEMORIES 100; safes and recall filters
AUTOMATIC MIC MIXING Built-in AMM
FADERS 17 motorized, 100 mm
TOUCHSCREEN 5-inch, 800 × 480
SOFTKEYS 4

Analog inputs

MIC/LINE INPUT TYPE Balanced XLR and 1/4-inch TRS; fully recallable
INPUT SENSITIVITY, XLR / TRS −60 to +5 dBu / −50 to +15 dBu
ANALOG GAIN −5 to +60 dB, 1 dB steps
MAXIMUM INPUT, XLR / TRS +19 dBu / +29 dBu
INPUT IMPEDANCE, XLR / TRS >5 kΩ / >10 kΩ
THD+N AT UNITY GAIN 0.0005%, −89 dBu; 20 Hz–20 kHz, Direct Out at 0 dBu, 1 kHz
THD+N AT +30 DB GAIN 0.001%, −83 dBu; 20 Hz–20 kHz, Direct Out, 1 kHz
STEREO LINE CONNECTORS Balanced TRS; ST3 unbalanced 3.5 mm mini-jack
STEREO INPUT SENSITIVITY Nominal +4 dBu / 0 dBu at ST3
STEREO TRIM ±24 dB
MAXIMUM STEREO INPUT +22 dBu / +18 dBu at ST3
STEREO INPUT IMPEDANCE >7 kΩ

Outputs and system

MIX OUTPUT CONNECTORS Balanced XLR
OUTPUT IMPEDANCE <75 Ω
NOMINAL / MAXIMUM OUTPUT +4 dBu / +22 dBu
RESIDUAL OUTPUT NOISE −90 dBu, muted, 20 Hz–20 kHz
DYNAMIC RANGE 112 dB
FREQUENCY RESPONSE 20 Hz–20 kHz, +0/−0.5 dB
HEADROOM +18 dB
INTERNAL OPERATING LEVEL 0 dBu
DBFS ALIGNMENT +18 dBu = 0 dBFS; +22 dBu at XLR output
METER CALIBRATION 0 dB meter = −18 dBFS; +4 dBu at XLR output
PEAK / SIGNAL INDICATION −3 dBFS / −48 dBFS; multi-point sensing
METER RESPONSE Fast, peak
SAMPLE RATE 48 kHz ±100 ppm
CONVERTERS 24-bit Delta-Sigma
LATENCY 1.2 ms local XLR input to XLR output; 0.7 ms local XLR to AES output
AES OUTPUT 2 channels, 48 kHz; balanced XLR, 2.5 Vpp, 110 Ω
ALT / 2-TRACK OUTPUTS Balanced 1/4-inch TRS; Alt patchable, 2-track LR post-fade; +22 dBu maximum

Input processing

SOURCE SELECTION Local, dSNAKE or USB; Qu-Drive / USB-B global USB-source selection
STEREO LINKING Odd/even input pairs; selectable parameter links
POLARITY Normal / reverse
HIGH-PASS FILTER 12 dB/oct; 20 Hz–2 kHz
INSERT Internal FX1–4
INPUT DELAY Up to 85 ms
GATE Self-key sidechain; −72 to +18 dBu threshold; 0–60 dB depth
GATE ATTACK / HOLD / RELEASE 50 µs–300 ms / 10 ms–5 s / 10 ms–1 s
PEQ 4-band, fully parametric, 20 Hz–20 kHz; ±15 dB
PEQ BAND TYPES LF / HF shelving or bell; middle bands bell
BELL WIDTH Non-constant Q, 1.5 to 1/9 octave
COMPRESSOR THRESHOLD / RATIO −46 to +18 dBu / 1:1 to infinity
COMPRESSOR ATTACK / RELEASE 300 µs–300 ms / 100 ms–2 s
KNEE Soft / hard
COMPRESSOR MODES Peak Manual, RMS Manual, SlowOpto, PunchBag

Mix processing and tools

DIRECT OUT Global source: Post-Preamp, Pre-EQ, Post-EQ or Post-Delay; follow fader / mute options
MIX DELAY Up to 170 ms
MIX GEQ 28 bands, 31 Hz–16 kHz; ±12 dB; constant 1/3 octave
MIX PEQ / COMPRESSOR As input processing
FX ROUTING Send / return or insert; dedicated stereo return channels with 4-band PEQ
PAFL PFL or stereo in-place AFL; 0 to −24 dB trim; up to 85 ms delay
TALKBACK Assignable to mixes; 12 dB/oct HPF; dedicated input
SIGNAL GENERATOR Sine, white / pink / band-pass noise
RTA 31-band, 1/3 octave, 20 Hz–20 kHz; follows PAFL

Recording and connectivity

QU-DRIVE STEREO RECORD 2-channel WAV, 48 kHz, 24-bit; patchable source
QU-DRIVE STEREO PLAYBACK 2-channel WAV, 44.1 / 48 kHz, 16 / 24-bit
QU-DRIVE MULTITRACK RECORD / PLAYBACK 18 channels, WAV, 48 kHz, 24-bit
USB-B STREAMING 24-bit, 48 kHz; 24 sends / 22 returns
DSNAKE Remote audio with AR2412, AR84 and AB168; ME personal-monitor compatibility
CONTROL NETWORK TCP/IP Ethernet for MIDI and remote apps; external Wi-Fi router required for wireless operation
USB DATA Show, scene and library transfer

Power and environment

MAINS 100–240 V AC, 50/60 Hz
MAXIMUM POWER CONSUMPTION 82 W
OPERATING TEMPERATURE 0–35°C

Dimensions and weight

DIMENSIONS (W × D × H) 440 × 500 × 186 mm
WEIGHT 10 kg
PACKED DIMENSIONS (W × D × H) 610 × 680 × 350 mm
PACKED WEIGHT 13.5 kg
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Description

Features & Applications

Features

  • 16 onboard mic/line inputs; 16-channel mono mix engine
  • Recallable AnalogiQ preamps and full channel processing
  • 4 stereo FX engines; automatic mic mixing
  • Touchscreen control; motorized faders
  • dSNAKE expansion and ME personal monitoring
  • USB-B multitrack audio; 18-track Qu-Drive recording

Applications

  • Live sound
  • Houses of worship
  • Corporate AV
  • Installed sound

Detailed Description Qu-16

Qu-16 is a Allen & Heath Qu Classic digital mixer with 16 onboard microphone/line inputs and 16 mono processing channels. Its 48 kHz architecture combines recallable AnalogiQ preamps, channel processing and four stereo FX engines. The format provides motorized faders and a colour touchscreen.

Input processing includes high-pass filtering, a gate, parametric EQ, compression and delay. Mix outputs add graphic EQ for system and monitor shaping. Scene memories, recall filters, DCA groups and automatic mic mixing support repeatable operation.

The USB-B interface handles computer multitrack recording and playback, while Qu-Drive captures eighteen tracks directly to compatible USB storage. dSNAKE connects remote I/O and Allen & Heath ME personal monitoring. Remote apps provide an additional control option alongside the onboard interface.

Manufacturer documents: Technical Datasheet · Qu Classic Brochure

Technical Specifications Qu-16

Architecture and control

TYPE 48 kHz digital mixer
MONO PROCESSING CHANNELS 16
LOCAL MIC/LINE INPUTS 16
STEREO LINE INPUTS 3
MIXES 4 mono, 3 stereo, Main LR
STEREO GROUPS 0
STEREO MATRICES 0
LOCAL XLR MIX OUTPUTS 12
RACKFX 4 stereo engines with dedicated stereo returns
DCA / MUTE GROUPS 4 / 4
SCENE MEMORIES 100; safes and recall filters
AUTOMATIC MIC MIXING Built-in AMM
FADERS 17 motorized, 100 mm
TOUCHSCREEN 5-inch, 800 × 480
SOFTKEYS 4

Analog inputs

MIC/LINE INPUT TYPE Balanced XLR and 1/4-inch TRS; fully recallable
INPUT SENSITIVITY, XLR / TRS −60 to +5 dBu / −50 to +15 dBu
ANALOG GAIN −5 to +60 dB, 1 dB steps
MAXIMUM INPUT, XLR / TRS +19 dBu / +29 dBu
INPUT IMPEDANCE, XLR / TRS >5 kΩ / >10 kΩ
THD+N AT UNITY GAIN 0.0005%, −89 dBu; 20 Hz–20 kHz, Direct Out at 0 dBu, 1 kHz
THD+N AT +30 DB GAIN 0.001%, −83 dBu; 20 Hz–20 kHz, Direct Out, 1 kHz
STEREO LINE CONNECTORS Balanced TRS; ST3 unbalanced 3.5 mm mini-jack
STEREO INPUT SENSITIVITY Nominal +4 dBu / 0 dBu at ST3
STEREO TRIM ±24 dB
MAXIMUM STEREO INPUT +22 dBu / +18 dBu at ST3
STEREO INPUT IMPEDANCE >7 kΩ

Outputs and system

MIX OUTPUT CONNECTORS Balanced XLR
OUTPUT IMPEDANCE <75 Ω
NOMINAL / MAXIMUM OUTPUT +4 dBu / +22 dBu
RESIDUAL OUTPUT NOISE −90 dBu, muted, 20 Hz–20 kHz
DYNAMIC RANGE 112 dB
FREQUENCY RESPONSE 20 Hz–20 kHz, +0/−0.5 dB
HEADROOM +18 dB
INTERNAL OPERATING LEVEL 0 dBu
DBFS ALIGNMENT +18 dBu = 0 dBFS; +22 dBu at XLR output
METER CALIBRATION 0 dB meter = −18 dBFS; +4 dBu at XLR output
PEAK / SIGNAL INDICATION −3 dBFS / −48 dBFS; multi-point sensing
METER RESPONSE Fast, peak
SAMPLE RATE 48 kHz ±100 ppm
CONVERTERS 24-bit Delta-Sigma
LATENCY 1.2 ms local XLR input to XLR output; 0.7 ms local XLR to AES output
AES OUTPUT 2 channels, 48 kHz; balanced XLR, 2.5 Vpp, 110 Ω
ALT / 2-TRACK OUTPUTS Balanced 1/4-inch TRS; Alt patchable, 2-track LR post-fade; +22 dBu maximum

Input processing

SOURCE SELECTION Local, dSNAKE or USB; Qu-Drive / USB-B global USB-source selection
STEREO LINKING Odd/even input pairs; selectable parameter links
POLARITY Normal / reverse
HIGH-PASS FILTER 12 dB/oct; 20 Hz–2 kHz
INSERT Internal FX1–4
INPUT DELAY Up to 85 ms
GATE Self-key sidechain; −72 to +18 dBu threshold; 0–60 dB depth
GATE ATTACK / HOLD / RELEASE 50 µs–300 ms / 10 ms–5 s / 10 ms–1 s
PEQ 4-band, fully parametric, 20 Hz–20 kHz; ±15 dB
PEQ BAND TYPES LF / HF shelving or bell; middle bands bell
BELL WIDTH Non-constant Q, 1.5 to 1/9 octave
COMPRESSOR THRESHOLD / RATIO −46 to +18 dBu / 1:1 to infinity
COMPRESSOR ATTACK / RELEASE 300 µs–300 ms / 100 ms–2 s
KNEE Soft / hard
COMPRESSOR MODES Peak Manual, RMS Manual, SlowOpto, PunchBag

Mix processing and tools

DIRECT OUT Global source: Post-Preamp, Pre-EQ, Post-EQ or Post-Delay; follow fader / mute options
MIX DELAY Up to 170 ms
MIX GEQ 28 bands, 31 Hz–16 kHz; ±12 dB; constant 1/3 octave
MIX PEQ / COMPRESSOR As input processing
FX ROUTING Send / return or insert; dedicated stereo return channels with 4-band PEQ
PAFL PFL or stereo in-place AFL; 0 to −24 dB trim; up to 85 ms delay
TALKBACK Assignable to mixes; 12 dB/oct HPF; dedicated input
SIGNAL GENERATOR Sine, white / pink / band-pass noise
RTA 31-band, 1/3 octave, 20 Hz–20 kHz; follows PAFL

Recording and connectivity

QU-DRIVE STEREO RECORD 2-channel WAV, 48 kHz, 24-bit; patchable source
QU-DRIVE STEREO PLAYBACK 2-channel WAV, 44.1 / 48 kHz, 16 / 24-bit
QU-DRIVE MULTITRACK RECORD / PLAYBACK 18 channels, WAV, 48 kHz, 24-bit
USB-B STREAMING 24-bit, 48 kHz; 24 sends / 22 returns
DSNAKE Remote audio with AR2412, AR84 and AB168; ME personal-monitor compatibility
CONTROL NETWORK TCP/IP Ethernet for MIDI and remote apps; external Wi-Fi router required for wireless operation
USB DATA Show, scene and library transfer

Power and environment

MAINS 100–240 V AC, 50/60 Hz
MAXIMUM POWER CONSUMPTION 82 W
OPERATING TEMPERATURE 0–35°C

Dimensions and weight

DIMENSIONS (W × D × H) 440 × 500 × 186 mm
WEIGHT 10 kg
PACKED DIMENSIONS (W × D × H) 610 × 680 × 350 mm
PACKED WEIGHT 13.5 kg
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